broken arrow pedal Jackson Audio Broken Arrow Overdrive / Boost V2 MIDI — Echoinox
SKU: 87290757449
broken arrow pedal

broken arrow pedal Jackson Audio Broken Arrow Overdrive / Boost V2 MIDI — Echoinox

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Description

broken arrow pedal Jackson Audio Broken Arrow Overdrive / Boost V2 MIDI — EchoinoxThe BROKEN ARROW is a comprehensive overdrive platform that is designed to give guitarists an incredible range of overdriven tones with innovative features never before seen in ANY overdrive pedal ever made! Keep reading below to learn more about the amazing features of the BROKEN ARROW! BROKEN ARROW OVERVIEW The BROKEN ARROW is a very flexible overdrive with 4 presets for clipping options, an innovative gain adjustment feature that we call GAIN

The BROKEN ARROW is a comprehensive overdrive platform that is designed to give guitarists an incredible range of overdriven tones with innovative features never before seen in ANY overdrive pedal ever made!

Keep reading below to learn more about the amazing features of the BROKEN ARROW!

BROKEN ARROW OVERVIEW

The BROKEN ARROW is a very flexible overdrive with 4 presets for clipping options, an innovative gain adjustment feature that we call GAIN CYCLE, and a 3 band active EQ for maximum tonal flexibility. To top it off, we added a boost circuit which is the same type of MOSFET boost circuit found on our top selling PRISM Preamp pedal.

BOOST OVERVIEW

The boost circuit is in its own true bypass loop which means it can be used independently of the DRIVE circuit. The boost circuit in the BROKEN ARROW is a MOSFET based boost much like the AMP MODE found in our best selling PRISM Preamp pedal. To activate/deactivate the boost circuit simply press the BOOST footswitch.

One of the things that makes the boost in the BROKEN ARROW different from other boosts on the market is that it has 4 presets available. Each preset is EQ’d slightly differently to allow it to alter how it interacts with the overdrive circuit in the BROKEN ARROW or any other pedal you may have in your rig

Preset 1 – YELLOW LED: Bright Boost. Very useful for creating a thinner sound or when boosting a thick sounding overdrive.

Preset 2 – GREEN LED: Mid Boost. Not as thin as the yellow mode, the green mode allows more lows and takes on the character of a mid boost.

Preset 3 – AQUA LED: Tailored Boost. Most people will find this a perfect setting that will complement most any overdrive setting in the BROKEN ARROW.

Preset 4 – BLUE LED: Full Range. No tonal coloring here! Just your guitars natural tone!

To select a boost preset, press and hold the BOOST footswitch for more than 1 second and boost program mode will become active.

When in this mode, the BOOST led will flash to indicate that you are in program mode. A quick tap on the BOOST footswitch will cycle the boost presets and you’ll be able to hear these presets change as you cycle through them, assuming that the boost circuit was active when the boost program mode was entered. Once you arrive at a boost preset that you want to use, press and hold the BOOST footswitch for more than 1 second and boost program mode will exit.


EASTER EGG! There is an easter egg in the boost circuit of the BROKEN ARROW! The boost circuit is based on a MOSFET transistor which is a very popular type of transistor to use for boost circuits because it has many “amp like” characteristics when it clips etc. There can be downsides to this circuit though.

Several very popular MOSFET boost circuits on the market have a very noticeable crackle when their boost knobs are rotated. We fixed this issue in the BROKEN ARROW and our boost is perfectly silent when the boost knob is rotated. The only downside to our fix of this problem is that we lose about 5% of the gain at the highest rotation setting. To most people this would never be a problem as the boost on the BROKEN ARROW is crushingly loud as it it.

However if you are a purist, or you just want to hear the difference, I have good news for you. We included an internal jumper that you can move to go back to stock MOSFET boost operation with 100% gain and all the crackle your heart could ever desire! Quiet or Crackle. The choice is yours!

STND BOOST – Our version of the MOSFET boost. Same tone, no noise.

ALT BOOST – Modified version of the MOSFET boost. Same tone, slightly more gain, crackles when you turn the knob.

OVERDRIVE OVERVIEW

The overdrive circuit of the BROKEN ARROW is a soft clipping overdrive circuit designed in the same vein as the venerable TS-808. The distinction between the TS-808 and the BROKEN ARROW being that there is no set “mid-hump” in the BROKEN ARROW and the tone is relatively flat when all controls are set at 12:00. Given that the BROKEN ARROW features an active 3 band EQ, there was no need to force a mid bump unnecessarily as a mid bump is easily achieved by increasing the MID knob.

The overdrive portion of the BROKEN ARROW is a completely new way of using and adjusting overdrive! With 4 clipping diode presets and our innovative GAIN CYCLE feature, the BROKEN ARROW will make most other overdrive pedals obsolete!

CLIPPING DIODE PRESETS

The BROKEN ARROW allows for 4 different presets of clipping diodes which themselves drastically alter the tone and feel of the way the overdrive clips and distorts.

To select a clipping preset, press and hold the DRIVE footswitch for more than 1 second and the clipping program mode will become active. When in this mode, the DRIVE led will flash to indicate that you are in program mode. A quick tap on the DRIVE footswitch will cycle the clipping presets and you’ll be able to hear these presets change as you cycle through them, assuming that the drive circuit was active when the clipping program mode was entered. Once you arrive at a clipping preset that you want to use, press and hold the DRIVE footswitch for more than 1 second and clipping program mode will exit.


Preset 1 – GREEN: Classic Screamer. Two symmetrical silicon diodes give the classic drive and compression that the Tube Screamer is known for.

Preset 2 – MAGENTA: Asymmetric Clipping. Three asymmetric silicon diodes will clip the top and bottom portions of your guitars waveform differently resulting in a more complex and interesting tone. This sounds great when laying down aggressive rhythm parts!

Preset 3 – BLUE: Symmetrical Clipping. Four symmetric silicon diodes will clip the top and bottom portions of your guitars waveform evenly which gives a more focused and direct tone. One notable pedal that uses this style of clipping is the Timmy.

Preset 4 – AMBER: Vintage Marshall. Two RED LED’s are used to symmetrically clip the top and bottom portions of your guitars waveform evenly. The LED’s allow MUCH higher headroom so your tone will stay more open and less compressed much like a vintage Marshall.

Changing clipping diodes are a great way to radically change how an overdrive pedal sounds and feels but oftentimes the change that you perceive has more to do with a change in volume than an actual change in tone….until now!

When we were designing the BROKEN ARROW we knew we wanted to give the overdrive section a lot of tonal flexibility and most importantly make that flexibility useful on stage. So when changing clipping diodes we included circuitry that level matches the output of the pedal as various clipping diodes are selected. So now you can select between all four clipping options, and your volume level will remain constant. More importantly, the difference that you hear between the clipping modes will be because of the difference in how those clipping diodes sound and not because your volume is jumping all over the place as it does with other designs.

GAIN CYCLE

The most exciting feature of the BROKEN ARROW is the new feature that we developed called GAIN CYCLE. GAIN CYCLE takes the GAIN knob setting, which selects your maximum gain, and divides that level of gain into 4 equal parts. Say for instance you have your GAIN knob set at the maximum setting or in other words, 100% gain. Every time you press both footswitches simultaneously, the gain of the pedal will jump up 25% until you get to 100%. The following press after 100% will cause the gain cycle to start again at 25%.


My goal with the GAIN CYCLE feature is to allow guitarists to easily ramp their gain up without having to bend down and change it or try to adjust it with the edge of their foot while playing live. Here’s a perfect use case!

Let’s assume the GAIN control is set to 100%

Verse 1 – Gain cycle set at 25% – Slightly overdriven edge of breakup tone.

Press GAIN CYCLE

Chorus  – Gain cycle set at 50% – Distinct overdriven tone.

Press GAIN CYCLE

Bridge – Gain cycle set at 75% – Heavy overdrive tone.

Press GAIN CYCLE

Solo – Gain cycle set at 100% – Heavily saturated overdriven tone!

TIP: Add the BOOST to push the overdrive even harder for endless sustain!

It’s important to remember that GAIN CYCLE setting #4 (100%) will be as much gain as you have the GAIN knob set for. Think of the GAIN knob on the BROKEN ARROW as your maximum gain with each GAIN CYCLE setting being a percentage of that maximum value.

The brightness of the DRIVE led will change to let you know which percentage of gain you have selected. The higher the percentage, the brighter the DRIVE led. For instance:

GAIN CYCLE #1 – DIM LED – 25% of GAIN knob value.
GAIN CYCLE #2 – BRIGHTER LED – 50% of GAIN knob value.
GAIN CYCLE #3 – BRIGHT LED – 75% of GAIN knob value.
GAIN CYCLE #4 – VERY BRIGHT LED – 100% of GAIN knob value.

3-BAND ACTIVE EQ

To top it off, the DRIVE circuit of the BROKEN ARROW has a 3 band active EQ. The EQ circuit features a studio grade EQ that gives tremendous tonal flexibility to the BROKEN ARROW. Based on the legendary Baxandall EQ that is featured in countless studio EQ’s, the BROKEN ARROW EQ takes this circuit and tailors it for guitarists! We spent tons of time on this EQ dialing it in so it would hit all the frequencies that guitarists need to adjust, and then sweetened it by removing the ear fatiguing highs and lows that can appear at extreme settings.

EQUALIZER CIRCUIT FEATURES:

Studio-grade EQ with High Bandwidth and Flat Response at 12:00
+/- 12dB Boost/Cut per control
Center Detents on the pots that make it easier to get back to a neutral or flat response.

MIDI – NEW FOR 2020!

Since the BROKEN ARROW first came out, we have received many requests from our players saying that adding MIDI to the BROKEN ARROW would make it the perfect overdrive and we completely agree! As always, we take player feedback as a primary driver of product development and we are very proud to announce that the most flexible overdrive on the market just got better with the addition of MIDI!

CABLE INFORMATION: In order to use MIDI on the BROKEN ARROW v2, you will need a cable that converts a MIDI (DIN-5) connector to a TRS cable. This is the cable that we have used with great success and can't recommend it enough.

https://www.disasterareaamps.com/shop/mj-5p-cable

For those building their own cables, the BROKEN ARROW v2 receives MIDI information via the RING connection on a TRS (Tip, Ring, and Sleeve) connector.

MIDI CHANNEL

By default, the BROKEN ARROW v2 ships with MIDI Channel 1 being the selected channel. This can be changed by pressing and holding the DRIVE footswitch while applying power to the BROKEN ARROW. Press the BOOST footswitch to increment the MIDI channel number.

You’ll notice that as you continue to hold the DRIVE footswitch, the BOOST LED will flash to indicate which MIDI channel you have selected. IE – 7 flashes = MIDI Channel 7. After the LED flashes, we inserted a 2-second pause so you could tell when the LED was finished flashing. The LED will continue flashing as long as you are holding down the DRIVE footswitch. Once you have selected the MIDI channel you want and have verified it by counting the flashes, simply release the DRIVE footswitch and the pedal will save this MIDI Channel to the internal EEPROM on the microprocessor and reboot.

MIDI DETAILS

Accessing the new MIDI features of the BROKEN ARROW is done by Control Changes. Below is a list of the features of the BROKEN ARROW that can be accessed via MIDI as well as how to access them.

CC #1 – DRIVE ON/OFF (value of 127 = ON /value of 0 = OFF)

CC #2 – BOOST ON/OFF (value of 127 = ON /value of 0 = OFF)

CC #3 – CLIPPING DIODES
  (value of 1 = 2x SYMETRICAL DIODES)
  (value of 2 = 3x ASYMETRICAL DIODES)
  (value of 3 = 4x SYMETRICAL DIODES)
  (value of 4 = 2x SYMETRICAL RED LED's)

CC #4 – GAIN CYCLE
  (value of 1 = 25% GAIN)
  (value of 2 = 50% GAIN)
  (value of 3 = 75% GAIN)
  (value of 4 = 100% GAIN)

CC #5 – BOOST EQ
  (value of 1 = BRIGHT BOOST)
  (value of 2 = MID BOOST)
  (value of 3 = TAILORED BOOST)
  (value of 4 = FULL BOOST)


VOLUME

Acts as a master volume for the overdrive circuit.

BOOST

Sets the amount of boost when the BOOST footswitch is engaged.

GAIN

Sets the maximum gain for the overdrive circuit.


BASS

The 12:00 position is totally flat with +/-12dB boost/cut on either side of center.

MIDDLE

The 12:00 position is totally flat with +/-12dB boost/cut on either side of center. The mid frequency is centered around 660hz.

TREBLE

The 12:00 position is totally flat with +/-12dB boost/cut on either side of center.

TECHNICAL SPECS

  • Input Impedance: 1M
  • Output Impedance: 100k
  • Power Supply: DC
  • Voltage Input: 9V MAX
  • Polarity: Center Negative
  • Max. Current Consumption: 100mA
  • Dimensions: 2.7” x 4.875″
Shipping Notes
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Exchange/Return Notes
  • We offer a 30-day return/exchange service after receiving.
  • Final sale items are not eligible for returns or exchanges.
  • To process your return/exchange, please contact us at [email protected]
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SKU: 87290757449

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Master of Salt and Bones by Keri Lake 4 STAR READ “You’re my curse. Staying away from you, is like trying to hold my breath when the tide is rising.” This book reminds me a lot of Nightshade, also by Keri Lake, but without the fantasy element. It gives off the same gothic vibes, including flash backs, history of abuse, and sexual deviances. It also has some overlap with the older male character obsession that is seen in Nocticadia - though Lucien doesn’t hold a candle to Professor Bramwell. SUMMARY Lucien was abused, lied to, and manipulated his whole life, by everyone who should have protected and cared for him. A wealthy heir to a massive fortune, he is hard, dark, and delicious. The story unfolds across two timelines, jumping between Lucien’s past and present, and Isa’s POV. Lucien is viewed as the devil of Tempest Cove, covered in scars and rumors abound involving the death of his wife and son. Isa is the daughter of the town whore, who has struggle to fit in and cope with the tribulations of her life. Lucien hires Isa to be his mother’s companion, to keep her company and encourage her to get out of bed each day. As they continue to bump into each other and interact, their relationship develops beyond his dark obsession. Lucien is wary to get attached as his connection to a dangerous secret society puts everyone he cares about at risk, however there may be no way around Isa’s involvement. WHAT I LIKED and DISLIKED It was a great story full of tragedy and resilience. Both characters have deep back stories that unfold throughout the book, we get information at just the right time to make things make sense. It is really well told. It does feel a bit slow in the middle, I took a mid book break to read something else but came back to it and wondered why I stopped - the reason I gave 4 stars was because I had the need to take the break. Which tells me I lost interest during part of it. Lucien has so many layers and each one is full of sadness and devastation. Isa’s story is tragic in its own way, however her youth has her dealing with them in a difference way - she is definitely more detached in her own way. There is an age gap - Lucien is 33, Isa is 19 — I’m not usually a fan of this kind of age gap, but Isa isn’t childish or immature so it works. The book definitely gives Grumpy x sunshine vibes. The spice is well done and paced well throughout the book. If you like spicy, gothic, dark romance and have enjoyed other books by Keri Lake this book will not disappoint. There are references to rape, sexual abuse, physical abuse, and mental illness — I would check any triggers before reading
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Titles aren’t my strong suit. Sorry not sorry. That ending has me completely frustrated book two isn’t out yet. Just throwing that out there. First thing first, this is a high school book where the lead is under 18. Yea yea she’s about month from being an adult, but I can’t say I would’ve even opened the file if I’d realized. It’s not a smut fest or anything, but there is sexual tension as each party figures out their emotions. That being said, it’s a good book. There are some troubling parts, like how the supes come into their powers at 13, but most of those are dealt with in a way that makes sense. Kian is the exception. His whole arc pisses me off, especially since no one stepped in. Reflecting back on real world situations, ten or so years ago, I can see it happening, but it still makes me sick. Which, I’m sure was the whole damn point. For the most part, Courting Darkness is a fun read. I found myself laughing along with most of the set up. By the time it started getting serious, I’d grown to like the characters enough it held an impact. I’ll be adding book two to my list for when it comes out.
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Darcy Smith
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